Select literature recommendations and commentaries from my canon for a zealous reader in no particular order.
The only inclusion heuristic followed: would I consider rereading the work? If the initial read didn’t incite a repeat experience, I hadn’t included it.
The links proceed to a more detailed commentary.
Contents
Fiction
Prose
- Dickens - Bleak House.
- Dickens - Tale of Two Cities. A suspenseful historical narrative and character study set during the French/British conflict during the French revolution period.
- Dickens - Great Expectations.
- Dickens - Oliver Twist. One of the earlier and the more optimist. Broody juxtaposition of the innocent and the wicked.
- Dickens - Hard Times
- Herman Melville - Moby Dick
- Herman Melville - Billy Bud and the Piazza Tales
- Joseph Conrad - Heart of Darkness (and other stories)
- Victor Nabokov - Lolita
- Victor Nabokov - Защита Лужина
- Victor Nabokov - Приглашение на казнь (Invitation to a beheading)
- Tolstoy - Война и Мир (War and Piece)
- Tolstoy - Анна Каренина. A good starting point if new to Tolstoy.
- Tolstoy - Крейцерова соната (Kreutzer Sonata
- Tolstoy - Смерть Ивана Ильича (Death of Ivan Ilich). Per the title, not too uplifting, but quality Tolstoy among the later, shorter efforts.
- Gogol/Гоголь, tales: Вий, Нос, Шинель, Коляска, Невский Проспект
- Gogol/Гоголь, more tales - Старосветские помещики, Как поссорился Иван Иванович с Иваном Никифоровичем
- Gogol/Гоголь - Тарас Бульба/Taras Bulba
- Isaac Babel - Конармия (Red Cavalry)
- Isaac Babel - Одесские Рассказы. Stories. Comedy and tragedy intermingle. Pre-revolutionary Odessa; part Jewish organized crime; part autobiographical; part miscellany. Though more varied in quality to the above, pretty damn good.
- Edgar Allan Poe - Short stories - a smaller set of short stories commented. See also the wiki and other literature related posts for expansive commentary. Many many masterfully crafted stories of varied genre.
- Edgar Allan Poe - The Narrative of Arthur Gordon Pym - though lesser acclaimed, one of the most captivating (sea) adventure novels I’ve read.
- Haruki Murakami - The Wind-up Bird Cronicle. Russian translation. The most epic and complex of all of Murakami’s works.
- Haruki Murakami - Hard-Boiled Wonderland and the End of the World. Russian translation.
- Mikhail Bulgakov - Master and Margarita (Мастер и Маргарита) - one of my all time favourite magic realism masterpieces.
- Ayn Rand - Atlas Shrugged
- Ayn Rand - Fountainhead. A philosophical predecessor to Atlas Shrugged, albeit shorter and more confined, for someone new to the author.
- Gabriel García Márquez - Cien años de soledad
- Gabriel García Márquez - Memorias de mis Putas Tristes
- Gabriel García Márquez - Cronica de una Muerte Anunciada. The magic realism likewise plays a notable role in this shorter tale.
- Joseph Heller - Catch 22
- Dostoevsky - Crime and Punishment (Приступление и Наказание).
- Dostoevsky - Demons (Бесы)
- Dostoevsky - Idiot (Идиот)
- Dostoevsky - Notes from the Underground (Записки из подполья)
- Dostoevsky - Brothers Karamazov (Братья Карамазовы)
- Dostoevsky - Double (Двойник)
- Dostoevsky - Poor Folk (Бедные Люди)
- Dostoevsky - White Nights (Белые Ночи). Sentimental, romantic, profoundly poetic.
- Dumas - The Count of Monte Cristo - English translation read interest he early twenties.
- Dumas - The Three Musketeers - an English translation of a similar time period.
- Frank Herbert - Dune
- Douglas Adams - Hitchhiker’s Guide to the Galaxy series. Whimsical, satirical, nonsensical fantasy/science fiction full of humor, insofar as the first three books concerned.
- F Scott Fitzgerald - Great Gatsby. The only compulsory high-school fiction I read to completion over the course of a night.
- J D Salinger - Catcher in the Rye. Fluid, first-person narrative in considerably simple language, by what appears an unreliable, capricious yet honest narrator.
- Kafka - The Castle (Zamek). Polish translation.
- Kafka - The Trial (Процесс). Russian translation.
- Kafka - Metamorphosis. Portuguese translation. Part satire, part horror story, part I don’t know what.
- Kafka - In the Penal Colony and other short stories (virtually anything).
- Erico Verissimo - Incidente em Antares. Brazilian magic realism classic set within Rio Grande do Sul. Spans much of the Brazilian history from the 19th - 20th century.
- Jorge Amado - Dona Flor e Seus Dois Maridos
- Isabel Allende - La Casa de los Espíritus. Magic Realism classic similar to Cien Años de Soledad and Incidente em Antares; spans decades of family and national history.
- Isabel Allende - Eva Luna. A warm tale of pathos and great imagery.
- Mario Benedetti - La Tregua
- Mario Benedetti - Gracias por el Fuego
- Arkady and Boris Strugatsky (Аркадий и Борис Стругацкие) - various.
- Lewis Carroll - Alice’s Adventures in Wonderland. A beautiful fable of allegory and satire. Read in the original as well as Victor Nabokov’s Russian adaptation titled Аня в стране чудес.
- Stanislaw Lem - Solyaris (Russian translation). A rare case that I prefer Tarkovsky’s loose film adaptation to the source, but the philosophical novel is unquestionably solid.
- Tolkien - The Lord of the Rings trilogy. Haven’t read in decades, but would willingly reread whenever back in the mood for the genre.
- Ernest Hemingway - Old man at the sea. A gripping one-day read that inspires much thought.
- Mary Shelley’s Frankenstein. Classic Gothic narrative that raises a series of ethical and moral issues. Evocative use of language and nature, though the word ‘ardent’ appears a time too often. :)
- James Joyce - Portrait of an artist as a young man. Exemplary specimen of post-modern prose.
- James Joyce - Dubliners. Sketches into the middle-class, early 20th century Ireland; exquisite prose. I personally prefer this to Portrait.
- James Joyce - Ulysses: the modern English magnum opus.
- Jorge Luis Borges - Ficciones. The earliest short story anthology mixing magic realism, the metaphysical, the paradoxical, the mathematical; food for endless thought.
- Jorge Luis Borges - El Aleph. Another fascinating short-story compilation adhering to the themes of infinity, immortality, randomness, literary history, theology and metaphysics.
- Juan Rulfo - Pedro Páramo. A magic realism source of inspiration for the later authors of the Latin American boom; non-linear, non-traditionally narrated journey through an abandoned town.
- Miguel de Cervantes - Don Quixote
- Julio Cortázar - Final del Juego (short stories) - plethora of timeless Cortázar classic shorts.
- Julio Cortázar - Las armas secretas (short stories) - far longer (and thus fewer) short stories of superb quality, including the Jazz inspired Perseguidor/Pursuer.
- Julio Cortázar - Todos los fuegos el fuego (short stories) - much experimental narration demanding the reader’s close attention.
- Julio Cortázar - Rayuela (Hopscotch) - the quintissential Cortázar novel, which I might speculate to be the closest Spanish-language counterpart to Ulysses (that I’ve yet to read).
- Gustave Flaubert - Madame Bovary
- Marcel Schwob - Vies Imaginaires
- Marcel Schwob - Le Roi au masque d'or
- Marcel Schwob - Le Livre de Monelle
- The Thousand and One Nights
- William Beckford - Vathek
- Voltaire - Candide - Epic.
Poems - epic and large-scale narrative
- The Iliad. English prose translation by Martin Hammond.
- The Odyssey. English verse translation by Robert Fagle. Primary sources are more gratifying than anthologies and retellings.
- Virgil - The Aeneid. English prose translation by W.F. Jackson Knight.
- Chaucer - The Canterbury Tales (Middle English).
- Dante Alighieri - Divine comedy. Initially the Spanish prose translation read. Years later, the original Tuscan Italian, accompanied by ranging English translations. Allegorically stocked, structurally beautiful, theologically heavy.
- Alexander Pope - Rape of the Lock. A satirical mock-epic poem, a genre I wasn’t previously aware existed.
- Sir Gawain and the Green Knight. A Middle Age alliterative poem narrating Sir Gawain’s (of King Arthur’s court) adventure in a very one-of-a-kind stanza format.
- Beowulf (C. W. Kennedy translation of the original West Saxon, alliteration maintained).
- Edmund Spenser - Faerie Queene - Books 1 - 3. English language epic poetry at some of the finest, delivered in Spenserian stanzas.
- Edmund Spenser - Epithalamion. Less a narrative poem, more a nuptial song plentiful in Greco-Roman allusions. Along with the Faerie Queene, one of the more beautiful and skillful of Spenser’s works I’ve read.
- Christopher Marlowe - Hero and Leander. Incomplete - Marlowe only produced two cantos. Enchanting, erotic, similar in spirit to Venus and Adonis.
- John Milton - Paradise Lost. Epic retelling of the Biblical story of creation, the fall of Satan along with other angels; plentiful allusions otherwise. Mostly engaging blank verse, save for a handful of dull moments mid-course (as in every epic poem I’ve read).
- Shakespeare - Venus and Adonis. An unceasing erotic discourse.
- Alexander Pushkin - Руслан и Людмила/Russlan and Ludmila. Longest of Pushkin’s narrative poems, folkloric, immortal verses memorized by many, quintissential Pushkin.
- Alexander Pushkin - Poltava/Полтава. One of my favorite battle poems. Concerns the early 18th-century conflict between Ukraine (allied with Sweden) and the remaining Russian Empire led by Peter the Great.
- Alexander Pushkin - Бахчисарайский Фонтан (Fountain of Bachczisaraj …, however that Latinizes) - Out of Pushkin’s longer poems, this one draws me in particular.
- Alexander Pushkin - Анджело/Angelo. A narrower-scope, yet poetically enhanced retelling of Shakespeare’s Measure for Measure.
- Alexander Pushkin - Евгений Онегин
- Alexander Pushkin - Капитанская Дочька.
- Lewis Carroll - The Hunting of the Snark: An Agony in Eight Fits. Witty and beautiful nonsense poetry, in a way, when in the mood for such (I often am).
- Edgar Allan Poe - Al Aaraaf. Esoteric, the longest, yet one of my favourites of Poe’s poems and of the 19th century.
- Samuel Taylor Coleridge - The Rhyme of an ancient mariner. Reads like a ballad, a classic specimen of sea fantasy, inspiration for Poe and Melville.
- John Keats: The Eve of St Agnes.
- Samuel Taylor Coleridge - Christabel. Though supposedly unfinished, evocative, Gothic, treading some taboo topics.
- Persey Shelley - Adonais. An elegy to John Keats, had to read this one twice (and then some). Wow.
- Persey Shelley - Alastor; or, The Spirit of Solitude. A challenging but rewarding read in blank verse.
- T S Eliot - Wasteland
- T S Eliot - Four Quartets
- Aleksander Blok - Двенадцать.
- Arthur Rimbaud - Le Bateu ivre. Reread upwards of a hundred times during the earlier phase of the French mission.
- Arthur Rimbaud - Une Saison en Enfer
- Arthur Rimbaud - Les Illuminations
- Paul Verlaine - Poemes Saturniens
- Lord Byron - The Corsair
- Adam Mickiewicz - Sonety Odeskie i Krymskie
- Paul Valery - La jeune Parque
- Baudelaire’s Fleurs du Mal
- Gustave Apollinaire - Alcools
Plays/Drama
- Johann Wolfgang von Goethe - Faust. Russian translation of Boris Pasternak.
- Christopher Marlowe - The Tragical History of Doctor Faustus. An earlier play inspired by the Faustus story; much shorter and compacter than Goethe’s epic, yet a powerful work that well mixes the comedic with the tragic.
- Shakespeare - Titus Andronicus
- Shakespeare - Pericles, the Prince of Tyre
- Shakespeare - Troilus and Cressida
- Shakespeare - Coriolanus
- Shakespeare - Taming of the Shrew
- Shakespeare - Richard II
- Shakespeare - Henry IV - Part 1
- Shakespeare - Henry IV - Part 2
- Shakespeare - Henry V
- Shakespeare - Macbeth
- Shakespeare - Cymbeline
- Shakespeare - King John
- Shakespeare - Merchant of Venice
- Shakespeare - Love’s Labour’s Lost
- Shakespeare - Timon of Athens
- Shakespeare - The Winter’s Tale: One of the stronger tragi-comedies that I actually prefer to The Tempest.
- Shakespeare - Love’s Labour Lost: An early burlesque comedy featuring exorbiant use of rhymed verse and some of the most crafty and confounding language. Very worthwhile if you cherish these elements.
- Shakespeare - Too many others to list: King Lear, Hamlet, The Tempest, The Comedy of Errors, Much Ado About Nothing, As You Like It …
- Bernard Shaw - Pygmalion. Sardonic, witty, early 20th-century London play that captures the motives of the Ovidian tale (of Pygmalion).
- Bernard Shaw - The Devil’s Disciple. One of Shaw’s earlier plays inspired by factual events during the American Revolution period; questions the underlying mechanisms that drive a human spirit.
- Bernard Shaw - Caesar and Cleopatra. An anachronistic and ‘Shavinian’ account of Julius Caesar’s six-month stay in Egypt and his fatherly kind of relationship with the then 16-year-old Cleopatra.
- Bernard Shaw - Saint Joan. A witty portrayal of Saint Joan, heavily contrasting Shakespeare’s in Henry VI - Part 1.
- Bernard Shaw - Major Barbara. A juxtaposition of religion, morality, money and power.
- Sophocles - Oedipus Rex. The beginning of the Theban cycle. Greek drama tradition at its finest; as dramatic of a narrative as I’ve found.
- Sophocles - Oedipus at Colonus. Second of the Theban cycle.
- Sophocles - Antigone. Immediately follows the events of Seven against Thebes.
- Aeschylus - Seven against Thebes. Third of the Theban cycle (before the events of Antigone).
- Aeschylus - Prometheus Bound. Origin drama; themes of predestination, the question of the just, the ruthless …
- Euripides - Trojan Women. One of the Trojan War aftermath plays featuring a mostly female cast. Ethically heavy.
- Euripides - Medea. The Jason and Medea story. An intense psychological battle.
- Euripides - Alcestis. A tragi-comedy raising the typical Euripidean ethical dilemmas and featuring a drunken Hercules.
- Aristophanes - Frogs. The first Greek comedy play I’ve read. Couldn’t believe 5th century BC already produced such works. The frog choir already made the read worthwhile, and that’s hardly even among the stronger elements.
- John Milton - Samson Agonistes. A ‘closet drama’, in the classic, Aristotelian style of tragedy, of the Old-Testament Samson, following his capture and blinding by the Philistines. Personally, I preferred reading Milton’s drama in the original over the butchered translations of Ancient Greek drama.
- John Webster - Duchess of Malfi. A revenge tragedy filled with jealousy, lust, greed, power abuse, and much theatrical ludicrousness common of the Elizabethan stage.
- William Congreve - The Way of the World (1700). Excellent showcase of pure language (witty, confounding) over plot. One of the last Restoration-period comedies.
- Henrik Ibsen - Doll’s House (1879) - the Peter Watts' English translation. A model for the kind of ‘social commentary’ Shaw would later produce, though reading in English, I’d rather read Shaw in the original.
- Jean Racine - Andromaque (1667). Entirely lyrical (as the period drama of the time), provides a slightly modified take on the tragedy (in contrast to, say, Euripides)
- Moliere - L'Avare (ou L'École du Mensonge) (1668)
- Moliere - Tartuffe (ou L'imposteur) (1664/1669)
- Moliere - Les Précieuses Ridicules (1659)
- Moliere - Dom Juan ou Le Festin de Pierre (1665)
- Moliere - Le Médecin malgré lui (1666)
- Moliere - Le Mariage forcé (1664)
- Moliere - Le Bourgeois gentilhomme (1670)
- Moliere - Sganarelle, ou le cocu imaginaire, imitation de l'italien (1660)
- Moliere - L'Impromptu de Versailles (1663)
- Moliere - Le Malade imaginaire (1673)
- Anton Chekhov - Вишневый Сад (Cherry Orchard)
- Anton Chekhov - Три Сестры (Three sisters)
- Anton Chekhov - Дядя Ваня (Uncle Vanya)
- Anton Chekhov - Чайка (Seagull)
Non-Fiction
- Ayn Rand - Virtue of Selfishness. A series of essays especially helpful as a philosophical refresher years after having read her fiction epics.
- Marcus Aurelius - Meditations. Fairly modern Spanish translation read. A stoicism doctrine classic.
- Seneca - Benefits (De Beneficiis)
- Seneca - Letters (to Lucilius). In gradual progress.
- Michel de Montaigne - Essays (17th-century English translation). In gradual progress. For a comprehensive portal to just about everything, you can read this for pure entertainment, education, research, philosophical exploration, etc.
- Matt Ridley - Evolution of Everything
- Nassim Nicolas Taleb - Antifragile. Also Skin in the Game and Fooled by Randomness, although Antifragile made the greatest impact.
- Ron Hale-Evans - Mind Performance Hacks - this and the below work I’ve reread and reskimmed many times over.
- Ron Hale-Evans - Mindhacker
- Isak Dinesen (Karen Blixen) - Out of Afrika. For a biographical and historical account, very well written, almost to the level of many fiction works of the genre. Concerns Blixen’s time at a Dutch-colonized Kenya at the turn of the 20th century.
- Haruki Murakami - What I Talk About When I Talk About Running (О чем я говорю когда говорю о беге). Russian translation. About running, writing, music, habits and more.
- The Jazz Book - Berendt/Nuesmann
- Thomas Browne - Hydriotaphia: Urn-Burial, or, A Brief Discourse of the Sepulchrall Urnes Lately Found in Norfolk
- La Rochefoucauld’s Maximes Morales
.--. .---.
.---|__| .-. |~~~|
.--|===|--|_ |_| |~~~|--.
| |===| |'\ .---!~| .--| |--|
|%%| | |.'\ |===| |--|%%| | |
|%%| | |\.'\ | | |__| | | |
| | | | \ \ |===| |==| | | |
| | |__| \.'\ | |_|__| |~~~|__|
| |===|--| \.'\|===|~|--|%%|~~~|--|
^--^---'--^ `-'`---^-^--^--^---'--' hjw
Questions, comments? Connect.